Category: cultura-pop

**The silence after Shibuya finally ends**, and the world of Jujutsu Kaisen is about to explode with renewed force. If you’re still recovering from the shock of seeing **Satoru Gojo sealed** in the Prison Realm, get ready: Crunchyroll has announced that **Season 3 premieres January 8, 2026**, diving directly into the **Culling Game Arc**. And yes, the promise is more chaos, more epic battles, and twists that will leave you breathless.

The new season isn’t just a continuation; it’s a direct response to the trauma of the Shibuya Incident. Remember when **Kenjaku** used Geto’s body to trap the most powerful sorcerer? Well now, this relentless villain unleashes a devastating curse throughout all of Japan. The result? **Ordinary people receive cursed techniques** and are forced to participate in a **deadly game**. Kenjaku’s goal is clear: to force human evolution through the manipulation of cursed energy, no matter the cost. And you? Are you ready to follow Yuji Itadori and the survivors in this no-rules war?

Before the streaming premiere, however, theaters offer a **taste of hell**. On **November 20**, **Jujutsu Kaisen: Execution** arrives in Brazilian theaters. This special isn’t just a recap of Season 2; it goes beyond, showing the **first two episodes of the Culling Game Arc** in a theatrical preview format. Think of it as the perfect bridge between Shibuya’s apocalyptic end and the next dark chapter. Want to relive Jujutsu Kaisen’s most epic moments? Check out our article on Season 2’s best moments!

And why is this arc so anticipated? Because it redefined the rules of the game in **Gege Akutami**‘s manga. Here, there are no clear heroes or villains; only **survivors on a bloody board**, where alliances form and break with every episode. Expectations are that MAPPA studio’s animation will elevate the fight scenes even further, with the intensity that has already established Jujutsu Kaisen as one of the decade’s most impactful animes.

While waiting for the premiere, you can dive back into the first two seasons on Crunchyroll. Rewatching Gojo’s battles, Yuji’s journey, and Megumi’s strategies is essential to understand the weight of what’s coming. After all, in the Culling Game Arc, every detail matters — and every mistake can be fatal.

**Ready to dive into the Culling Game Arc’s chaos?** Jujutsu Kaisen Season 3 arrives January 8, 2026, exclusively on Crunchyroll, to prove the curse doesn’t just continue — it evolves. Mark your calendar, steel your heart, and don’t miss the movie Jujutsu Kaisen: Execution in theaters November 20. The game is starting, and this time, no one is safe.

Sources: Crunchyroll News | Jujutsu Kaisen Official Website

*Dragon Ball Z* fans might be surprised to learn that one of the franchise’s most iconic fusions, **Vegito**, almost didn’t exist. Creator Akira Toriyama revealed that the **Potara Fusion** was, in fact, a last-minute “plan B”. The change was necessary to differentiate the canonical manga story from the movie *Dragon Ball Z: Fusion Reborn*, which had already used the original idea.

## The Original Plan: Gogeta with the Fusion Dance

[As revealed by Akira Toriyama himself](https://www.kanzenshuu.com/translations/daizenshuu-6-akira-toriyama-super-interview/), the initial plan for the Majin Buu Saga was for Goku and Vegeta to use the Fusion Dance, the same technique Goten and Trunks used to create Gotenks. In fact, previews in the *Weekly Shonen Jump* magazine at the time even announced that “Gogeta” (the result of the dance) would appear in the main story.

However, a problem arose: Toei Animation, the studio responsible for the anime and movies, had already created and used the concept of Gogeta in the film *Dragon Ball Z: Fusion Reborn*.

## The Quick Fix: The Arrival of Potara Fusion

To avoid redundancy and not simply copy what the movie had already done, Toriyama needed a quick and creative solution. The answer lay in a detail he had been drawing for some time: the earrings worn by the Supreme Kais.

“‘I was always drawing earrings [on the Supreme Kai], so I thought, ‘maybe I can use these…”’, Toriyama explained in an interview. Thus, the **Potara Fusion** was born, a new method that was not only visually distinct but also presented as a superior and (at the time) permanent fusion.

## The Unexpected Legacy of “Plan B”

This last-minute decision drastically changed the *Dragon Ball* universe. The creation of the **Potara Fusion** not only gave us Vegito but also added entire layers to the series’ mythology.

– **Old Kai:** The backstory of the Old Kai, who is permanently fused with an old witch, only exists because of this rule.
– **Kibito Kai:** The fusion between Kibito and the Supreme Kai also stems from this mechanic.
– **Dragon Ball Super:** The Goku Black and Zamasu saga relies entirely on the Potara Fusion concept, culminating in the creation of Fused Zamasu.

This shows how a last-minute decision to avoid a conflict with the movie ended up becoming one of the franchise’s cornerstones, being crucial for events seen decades later in *[Dragon Ball Super](https://revistapixel.com.br/dragon-ball-super-the-ultimate-guide-to-the-timeline-sagas-and-transformations/)*.

Cowboy Bebop ends with an extremely ambiguous finale in which everyone thinks [the protasgonist Spike Spiegel](https://viviremedia.com.br/spike-spiegel-o-carismatico-anti-heroi-de-cowboy-bebop/) dies, but the rose suggests the ending might not be what it seems.

The anime Cowboy Bebop tells the story of Spike and the group of bounty hunters aboard the Bebop ship as they come to terms with their respective pasts and try to make a living.

Spike, who was once an enforcer for the Red Dragon crime syndicate, left the organization to become a bounty hunter, leading to the events of the anime.

In the series finale, Spike appears to die after being hit by the hail of bullets from Vicious and his henchmen.

One detail, however, implies that Spike may have survived.

In the Cowboy Bebop series finale, “The Real Folk Blues”, Spike reunites with the woman he loves, Julia, but she dies in a shootout with the henchmen of the Red Dragon Crime Syndicate.

Having reached the peak of despair and with his rivalry with Vicious now at a boiling point, Spike sets out on an apparently suicidal mission to kill his rival and end the Red Dragon once and for all.

At the end of Cowboy Bebop, Spike manages to kill Vicious and annihilate most of the associates, but the fight leaves him severely wounded, and he apparently dies in the final moments of the episode.

Although it seems Spike died as a result of his injuries after Vicious’s death, a recurring symbol may indicate that Spike survived the fight.

Cowboy Bebop frequently showed a red rose lying in a puddle, representing his doomed love for Julia, and the symbol appears again at the end.

Several petals blow across the ground with the wind just before Spike sets out on his suicidal mission, but they are fully colored.

Despite being the reason Spike lived, Julia died, and the visual symbolism of the rose suggests that Spike may have survived, despite his injuries.


The first part of the series finale ends with prolonged shots of Spike’s rose in full bloom and in color, further supporting this symbol of his survival.

Spike Spiegel himself assures Faye that he wasn’t facing Vicious with the intention of dying, but to “find out if (he’s) really alive.”

Although enigmatic, the line adds weight to Spike’s survival.

Throughout Cowboy Bebop, Spike has a rather indifferent attitude toward his survival during his numerous dangerous missions, so Spike might have simply passed out from exhaustion rather than dying from his injuries.

There is an equal amount of evidence that Spike died after finally killing Vicious.

Spike no longer felt the need to live after losing Julia, and all that remained for him was to avenge her by killing his rival.

With Vicious’s death, Spike finally accepted his past and could die in peace.

Symbolically, the ending shows a bright star flickering before disappearing at the end of the credits, coinciding with a prediction made by Spike’s ally, Laughing Bull.

Cowboy Bebop has an intentionally ambiguous ending, with creator Shinichirō Watanabe refusing to confirm either outcome and admitting he doesn’t have a definitive answer himself.

The conflicting visual clues and the abrupt nature of the anime’s ending allow viewers to decide for themselves, but Spike’s character arc ends beautifully either way.

Whether the Netflix version ends on an equally ambiguous note remains to be seen.

For those who wish Spike survived, however, the visual hint given by his rose might be enough to assume he survives the end of Cowboy Bebop.

*Dragon Ball Super* is the official canonical continuation of Akira Toriyama’s saga, a direct response to the global demand for new Goku adventures. More than just a sequel, *Super* fundamentally redefines the franchise’s cosmology. The series introduces concepts like “Divine Ki,” Gods of Destruction like Beerus, and the omnipotent being Zeno, expanding the battlefield from a single universe to twelve. If *Z* was about overcoming planetary limits, *Super* is about challenging the divine hierarchy itself.

## What is Dragon Ball Super and Where Does It Fit in the Timeline?

*Dragon Ball Super* (DBS) is the official canonical sequel to *Dragon Ball Z*, marking the franchise’s triumphant return under the direct supervision of its original creator, Akira Toriyama. Launched in 2015, the series was designed to fill a crucial time gap in the original story, exploring the development of Goku, Vegeta, and their allies after the greatest battle of their lives. Here you’ll better understand the chronological placement of *Super*, its canonical status compared to other sequels (like *Dragon Ball GT*), and the unique creative structure behind the anime and manga.

### The Exact Placement: The 10-Year Gap (Post-Buu Saga, Pre-DBZ Epilogue)

Timeline confusion is the most common question among fans. *Dragon Ball Super* does not take place after the end of *Dragon Ball Z*. Instead, the story fits entirely within the 10-year gap that occurs *after* Majin Buu’s defeat (Year 774) and *before* the 28th World Martial Arts Tournament, where Goku meets Uub (Year 784).

The series begins approximately six months after the battle against Buu. All events in *Super* — from the Battle of Gods Saga, through the Tournament of Power, to the canonical films *Broly* (Year 780) and *Super Hero* (Year 783) — occur within this “lost decade,” recontextualizing the peaceful ending seen in *DBZ*.

### The Difference Between Canon and Filler: Where Does Dragon Ball GT Fit In?

In the *Dragon Ball* universe, “canon” refers to material directly written, illustrated, or supervised by Akira Toriyama. *Dragon Ball Super* is considered the canonical continuation because Toriyama provided the main story outline and new character designs.

This positions *Dragon Ball GT* (Grand Tour), the popular 90s anime sequel, as a “parallel story” or *filler*. *GT* was a Toei Animation production without Toriyama’s direct involvement in the main script. Therefore, the *Dragon Ball Super* timeline completely ignores *GT* events (including Super Saiyan 4), establishing a new official path for the franchise’s future.

### The Role of Akira Toriyama and Toyotaro in Creation (Anime vs. Manga)

The creation of *Dragon Ball Super* followed an unusual production model. Akira Toriyama did not write the weekly script or draw the manga; he provided the main story outline, defining narrative arcs, new characters, and major plot twists.

This outline was delivered simultaneously to Toei Animation (for the anime) and Toyotaro (Toriyama’s chosen successor for the manga). This resulted in two canonical versions of the same story. The anime and manga, while following the same arcs, have significant differences in fights, transformations, and even the outcome of certain events, as each team filled Toriyama’s gaps differently. Currently, Toyotaro’s manga has advanced far beyond the anime’s end, continuing the story with new arcs.

## Complete Analysis of Dragon Ball Super Sagas (Anime and Manga)

The narrative structure of *Dragon Ball Super* is defined by distinct arcs, or “sagas,” that progressively escalate threats from planetary to universal and divine levels. While the initial two arcs adapted the canonical films (*Battle of Gods* and *Resurrection ‘F’*) into series format, the franchise quickly introduced unprecedented threats. It’s crucial to note that the anime and manga, while following Toriyama’s core points, diverge significantly in details, fights, and even rules. This section analyzes each major saga chronologically.

### Battle of Gods Saga: The Introduction of Beerus and Whis

This inaugural arc establishes the new power *status quo* in *Dragon Ball*. Beerus, the Universe 7 God of Destruction, awakens from a long slumber seeking a prophesied rival: the Super Saiyan God. His arrival on Earth forces Goku and the Z Warriors to discover the ritual to achieve this divine form. The saga is fundamental for introducing the concept of “Divine Ki” and establishing that beings like Beerus and his angel mentor, Whis, exist on an exponentially higher power tier than Goku.

### Resurrection ‘F’ Saga: Vengeance and Freeza’s Golden Form

Marking the return of the franchise’s most iconic villain, this saga details Freeza’s resurrection via the Dragon Balls. For the first time in his life, the galactic tyrant decides to train intensely (for a mere four months), allowing him to unlock a devastating new transformation: Golden Freeza. To combat him, Goku and Vegeta reveal the next stage of their training with Whis: Super Saiyan Blue, the form that applies Divine Ki to the Super Saiyan state.

### Universe 6 Saga: Champa’s Tournament and Hit’s Debut

This saga formally expands the *lore* into a multiverse. Champa, the Universe 6 God of Destruction (Universe 7’s “twin”) and Beerus’s brother, proposes a martial arts tournament between their five best warriors. The prize: the Super Dragon Balls. This arc is crucial for introducing new recurring characters like the Universe 6 Saiyans (Cabba, Caulifla, and Kale) and the legendary assassin Hit, whose Time-Skip technique forces Goku to evolve his combat tactics.

### Goku Black / Future Trunks Saga: The Zamasu Threat

Considered by many the darkest and most complex arc in *Super*, this saga brings Future Trunks’s desperate return. His timeline has been devastated by a new enigmatic enemy resembling Goku, known as “Goku Black.” The investigation reveals an intricate divine conspiracy involving Zamasu, a Universe 10 apprentice Kai with a deep hatred for mortals. The saga explores time travel, Time Rings, the Potara fusion (with Blue Vegetto’s return), and culminates in one of the franchise’s most drastic resolutions.

### Tournament of Power Saga: Universe Survival and Jiren

This is the climax arc of the *Dragon Ball Super* anime. At Goku’s suggestion, Zeno, the omnipotent being, organizes a survival tournament: a battle royale with 80 warriors from the 8 weakest universes. The rule is absolute: the losing universe is instantly erased from existence. This saga introduces a vast array of new characters, notably Jiren from Universe 11, a mortal who surpasses a God of Destruction’s power. The existential threat forces Goku to break all his limits, awakening the divine technique known as Ultra Instinct.

### Saga Not Yet Adapted to Anime: The Galactic Patrol Prisoner (Moro)

After the Tournament of Power and the *Broly* film events, the *Dragon Ball Super* manga continued the story with new arcs. The first is the Moro saga, an ancient sorcerer who escapes from the Galactic Patrol Prison. Moro doesn’t just use ki; he wields ancient magic, allowing him to drain the life energy of entire planets and his opponents. This saga forces Goku and Vegeta to train separately — Vegeta learns Instant Transmission and Spirit Fission on Yardrat, while Goku trains with Merus to master Ultra Instinct.

### Manga-Exclusive Sagas: Granolah the Survivor

The subsequent arc focuses on Granolah, the sole survivor of the Cerealian race, exterminated by Saiyans in Freeza’s service decades prior. Consumed by vengeance, Granolah uses his planet’s Dragon Balls to become the “strongest warrior in the universe,” but at a terrible cost. This saga is notable for deepening Bardock’s canonical past (Goku’s father) and introducing the counterpart to Ultra Instinct: Ultra Ego, a divine form achieved by Vegeta.

## Central Characters: New Gods, Angels, and Warriors

While *Dragon Ball Z* focused on a core group of heroes defending Earth, *Dragon Ball Super* massively expands the cast, introducing new power hierarchies and beings from multiple universes. The series not only elevates the Z Warriors to divine tiers but also establishes a cosmic pantheon that recontextualizes their place in the cosmos. Additionally, parallel universes bring an influx of new rivals, allies, and complex antagonists.

### The Divine Pantheon: Gods of Destruction, Angels, and Zeno

*Super* introduces a clear divine hierarchy governing the multiverse. At the top is **Zeno**, the Omni-King, a childlike being with absolute power to erase anyone or all 12 universes instantly. Immediately below him is the Grand Priest. Each universe is overseen by a set of gods: a **God of Destruction** (like Beerus), whose function is to destroy planets to maintain balance, and a **Supreme Kai** (Kaioshin), whose function is to create. Serving as assistant and master to each God of Destruction is an **Angel** (like Whis), beings who are actually more powerful than their gods but bound to remain neutral.

### The Evolution of the Z Warriors (Goku, Vegeta, Gohan, and Piccolo)

The introduction of “Divine Ki” forced the Z Warriors to evolve. **Goku** and **Vegeta** spend most of *Super* training under Whis, mastering Super Saiyan God (SSJ God) and Super Saiyan Blue (SSJ Blue). Eventually, their paths diverge: Goku begins mastering **Ultra Instinct**, a divine technique of subconscious movement, while Vegeta (in the manga) develops **Ultra Ego**, a form that thrives in combat and absorbs damage. After being left behind, **Gohan** and **Piccolo** make their triumphant return in the *Super Hero* film, achieving unique and massively powerful forms — **Gohan Beast** and **Orange Piccolo** — placing them back on par with gods.

### New Allies and Rivals (Jiren, Hit, Cabba, Caulifla, and Kale)

The exploration of the multiverse, mainly through tournaments, introduced characters who aren’t villains but powerful rivals. From Universe 6 came **Hit**, the legendary assassin with the Time-Skip technique, and the Saiyans **Cabba**, **Caulifla**, and **Kale** — who, via Potara fusion, form the warrior **Kefla**. The ultimate rival introduced is **Jiren** from Universe 11, a mortal whose raw power exceeds a God of Destruction’s, serving as the Tournament of Power’s main antagonist and the catalyst for Goku’s Ultra Instinct awakening.

### The Central Antagonists (Zamasu, Moro, and the Red Ribbon Army)

*Super* introduced some of the franchise’s most complex villains. **Zamasu** (and his alternate version, **Goku Black**) was the Future Trunks Saga’s main antagonist; a Supreme Kai who believed mortals were a plague to be eradicated, carrying his distorted “justice” to genocidal extremes. In the manga, **Moro**, the Galactic Patrol Prisoner, introduced magic as a threat capable of draining entire planets’ life energy. More recently, the **Red Ribbon Army** resurfaced in *Super Hero*, using advanced technology to create the Gamma Androids and the bio-monster Cell Max, proving deadly threats remain relevant.

## Guide to Transformations and Power Levels in DBS

*Dragon Ball Super* redefined the concept of “fighting power.” The series abandoned numerical scales (Scouters) and introduced “Divine Ki,” a type of energy on a completely different existential plane, undetectable by mortals. *Super*‘s new transformations aren’t mere multipliers like Super Saiyan 1, 2, and 3; they’re evolutions based on mastering this Divine Ki or celestial-level techniques. This section dissects the main forms introduced in the series.

### Super Saiyan God (SSJ God): The Ritual and Divine Ki

This is the gateway to the divine realm. Initially achieved by Goku through a ritual involving six pure-hearted Saiyans, Super Saiyan God grants the user Divine Ki. Characterized by a flaming red aura, slimmer body, and notable calm, SSJ God is highly efficient, consuming little energy while offering immense power, allowing the user to fight on par with a God of Destruction (if only briefly).

### Super Saiyan Blue (SSJ Blue): Controlling Divine Ki

If SSJ God is the *acquisition* of Divine Ki, Super Saiyan Blue (SSJ Blue) is the *application* of that ki in combat. Formally known as “Super Saiyan God Super Saiyan,” this form is essentially the Super Saiyan transformation *superimposed* onto the SSJ God state. With its iconic blue aura and hair, this form combines a Super Saiyan’s explosive power with Divine Ki’s control and potency, becoming Goku and Vegeta’s standard battle transformation for most of *Super*.

### Ultra Instinct (Sign, Omen, and Mastered): The Angels’ Technique

Crucially, Ultra Instinct isn’t a Saiyan transformation but a divine technique mastered by Angels (like Whis). It’s a mental and physical state where the body reacts and fights on its own, separate from consciousness.

– **Ultra Instinct Sign/Omen:** The initial, unstable form (dark hair, silver eyes) where the body subconsciously masters defense, but the user still mentally interferes with attacks.
– **Mastered Ultra Instinct:** The perfected state (silver hair) where both attack and defense are automatic, requiring a completely calm mind. It’s the pinnacle of martial skill in the multiverse.

### Ultra Ego: The Gods of Destruction’s Technique

Ultra Ego is the direct counterpart to Ultra Instinct and a technique used by Gods of Destruction (like Beerus). Awakened by Vegeta during his training with Beerus (in the manga), this form isn’t based on evasion but on *taking* damage. Ultra Ego thrives on pure fury and the heat of battle; the more damage and fighting spirit Vegeta displays, the stronger he becomes. It’s a form fueled by ego and combat desire, the exact opposite of the serene calm required by Ultra Instinct.

### Recent Forms: Gohan Beast and Orange Piccolo

Revealed in the film *Dragon Ball Super: Super Hero*, these forms demonstrate that alternative paths to Divine Ki can achieve similar power levels.

– **Orange Piccolo:** A massive transformation granted to Piccolo after Shenlong unlocks all his latent potential, finally placing him on par with Goku and Vegeta’s power tier.
– **Gohan Beast:** A unique, wild evolution of Gohan, awakened by extreme rage. Characterized by disproportionate silver hair and red eyes, this form seems to be an evolution of his “Ultimate” (Mystic) state, and its power proved capable of rivaling divine techniques.

## The Canonical Post-Tournament of Power Films

With the *Dragon Ball Super* anime ending at the Tournament of Power Saga, the story’s canonical continuity shifted to cinema, with films written and directly supervised by Akira Toriyama. These aren’t *filler* or parallel films like those from the *DBZ* era; they’re essential chapters in the official timeline, introducing new transformations, characters, and developments that directly impact the universe’s *status quo*.

### Dragon Ball Super: Broly (The Legendary Saiyan’s Reintroduction)

Released in 2018, this film takes one of the franchise’s most popular non-canonical characters, Broly, and completely reinvents him for *Super*‘s timeline. The plot explores the Saiyans’ past, Broly’s exile with his father Paragus, and his eventual devastating confrontation with Goku and Vegeta. The film is crucial for canonizing Broly (now a complex, tragic character instead of a one-dimensional villain) and reintroducing the canonical fusion Gogeta, who uses Super Saiyan Blue to subdue Broly’s uncontrollable “Legendary Super Saiyan” power.

### Dragon Ball Super: Super Hero (Gohan and Piccolo’s Protagonism)

This film marks a deliberate shift in focus, moving away from Goku and Vegeta to give protagonism to Gohan and Piccolo. The plot sees the nefarious Red Ribbon Army’s resurgence, creating new powerful Androids (Gamma 1 and Gamma 2) and their ultimate bio-weapon, Cell Max. Forced to defend Earth without Goku or Vegeta’s help, Gohan and Piccolo are pushed to their absolute limits, resulting in their own unique, massive transformations: Orange Piccolo and Gohan Beast.

### The Films’ Impact on the Official Anime and Manga Timeline

Both films are fundamental and fit perfectly into the timeline. *Dragon Ball Super: Broly* occurs immediately after the Tournament of Power (and before the Moro saga in the manga). *Dragon Ball Super: Super Hero* occurs several years later, positioning after the Granola saga in the manga (and featuring visibly older characters like Pan, Goten, and Trunks). The *Dragon Ball Super* manga acknowledges both events: it briefly adapted *Broly*‘s story and is currently publishing a prequel arc leading directly to *Super Hero*‘s events, solidifying its position as the timeline’s latest chapter.

## Where to Watch and Read Dragon Ball Super Officially

With the franchise’s global popularity, consuming *Dragon Ball Super* through official channels is essential to support creators and ensure the best translation and image quality. Fortunately, both the anime and manga are widely accessible on legal platforms, simultaneous with Japan, allowing fans to follow the story legitimately and up-to-date.

### Streaming Platforms for the Anime (Crunchyroll)

The definitive way to watch all 131 episodes of the *Dragon Ball Super* anime is via **Crunchyroll**. The platform holds the series’ streaming rights, offering the full content with options for original Japanese audio (with Portuguese subtitles) and, in many cases, the official Brazilian dub. Besides the main series, Crunchyroll also offers recent canonical films like *Dragon Ball Super: Broly* and *Dragon Ball Super: Super Hero*, establishing itself as the central *hub* for the anime.

### Where to Read the Manga (Manga Plus)

For the manga, which continues the story far beyond the anime’s end, the official free platform is Shueisha’s **Manga Plus**. Manga Plus releases the latest *Dragon Ball Super* chapters simultaneously with the Japanese release, fully translated into Portuguese (and other languages). While the platform only keeps the most recent chapters free (the “last three”), it allows fans to follow the current story without delays. To read previous chapters, you must purchase the compiled volumes (tankobon) published in Brazil by Panini Comics.


### The Correct Order to Watch (Anime, Films, and Specials)

To consume the *Dragon Ball Super* story in chronological order, the following viewing sequence is recommended:

1. **Anime: Battle of Gods Saga (Episodes 1-14)** AND **Resurrection ‘F’ Saga (Episodes 15-27)**
– *(Note: Alternatively, you can watch the films “Dragon Ball Z: Battle of Gods” and “Dragon Ball Z: Resurrection ‘F’” and skip these arcs, though the anime expands the events).*
2. **Anime: Universe 6 Saga (Episodes 28-46)**
3. **Anime: Goku Black / Future Trunks Saga (Episodes 47-76)**
4. **Anime: Tournament of Power Saga (Episodes 77-131)** [End of Anime]
5. **Film: *Dragon Ball Super: Broly*** (Occurs right after the Tournament of Power)
6. **Manga: Galactic Patrol Prisoner Saga (Moro)** [Start of Post-Anime Content]
7. **Manga: Granolah the Survivor Saga**
8. **Film: *Dragon Ball Super: Super Hero*** (Occurs after the Granola Saga)

## Frequently Asked Questions (FAQ) about Dragon Ball Super

This section directly and concisely answers the most common questions fans have about *Dragon Ball Super*‘s current status, its future, and its expanding universe’s complexities.

### Will Dragon Ball Super (Anime) Have a Continuation?

To date, Toei Animation has not announced a direct continuation of the *Dragon Ball Super* anime series, which ended in 2018 with the Tournament of Power. Although the manga has advanced significantly with the Moro and Granola Sagas, the studio has chosen to focus on film productions (like *Broly* and *Super Hero*) and, more recently, the new anime *Dragon Ball Daima*. A “Season 2” adapting the manga remains a strong fan expectation but lacks official confirmation.

### What is Dragon Ball Daima and Where Does It Fit?

*Dragon Ball Daima* is a new commemorative anime series created with Akira Toriyama’s direct involvement in script and character design. The plot features an original story where Goku, Vegeta, and others are mysteriously turned into children by a conspiracy. Chronologically, *Daima*‘s events appear to take place before *Dragon Ball Super*, occurring in the period between Kid Buu’s defeat (*DBZ*) and Beerus’s arrival (*DBS*).

### What’s the Power Difference Between Ultra Instinct and Ultra Ego?

The main difference lies in combat philosophy. **Ultra Instinct** (mastered by Goku) is an Angels’ technique requiring a calm, serene mind, allowing the body to react and dodge attacks subconsciously. **Ultra Ego** (awakened by Vegeta) is a Gods of Destruction technique doing the opposite: it thrives in the heat of battle, letting the user take damage and convert it into power, fueled by ego and ferocity. In short: Ultra Instinct focuses on evasion, Ultra Ego on endurance and counter-attacks.

### Has the Dragon Ball Super Manga Ended?

No. The *Dragon Ball Super* manga, illustrated by Toyotaro, continues active and has advanced far beyond where the anime stopped (the Tournament of Power). It has completed two major manga-exclusive arcs: the “Galactic Patrol Prisoner Moro Saga” and the “Granolah the Survivor Saga.” Recently, the manga adapted the events of the film *Dragon Ball Super: Super Hero* and, after a hiatus period, is expected to continue with new stories.

The debate is eternal in the otaku community: there are **Anime Villains** that, despite a legion of passionate defenders, are fundamentally poorly constructed. Whether due to weak motivations, nonsensical plans, or a forced redemption that ignores their actions, some antagonists get a “free pass” from fans solely for their aesthetics or a tragic past. We analyze 10 popular characters that, when looked at critically, don’t hold up as good villains, despite their fame.

## Why Do We Defend Poorly Written Anime Villains?

Before diving into the list, it’s crucial to understand the phenomenon. Often, the defense of a villain isn’t based on the quality of their writing, but on their design, charisma (like Dio Brando), or a narrative “Stockholm syndrome,” where the audience spends so much time with the character that they overlook their logical flaws (like Obito Uchiha).

This phenomenon is common in the universe of **Anime**, where the “rule of cool” frequently surpasses narrative coherence. A villain may commit atrocities, but if they have an impactful crying scene, many fans forget that their goals were, in essence, foolish or selfish.

## Villains the Fanbase Lets Slide

The list below doesn’t measure how “evil” the villain is, but rather the quality of their narrative construction versus the defense they receive.

### 1. Obito Uchiha (Naruto Shippuden)


The classic case. Obito started a world war that killed tens of thousands, including the protagonist’s parents, all based on a teenage trauma. Although his story with Rin is tragic, the scale of his reaction is disproportionate, and his eventual “redemption” is one of the most criticized in the series, downplaying his crimes for a selfish cause.

### 2. Griffith (Berserk)


Griffith is, without a doubt, one of the most effective antagonists ever created. However, defending his actions (especially the Eclipse) under the pretext that “he did what he had to do to achieve his dream” ignores the complete lack of morality. The discussion isn’t whether he’s a well-written character (he is), but whether his actions are “defensible” as many fans argue. The answer is no.

### 3. Malty S Melromarc (The Rising of the Shield Hero)


Many villains are hated, but Malty is defended by a segment that sees her actions as “interesting” for the plot. The reality is she’s a one-dimensional character. Her motivations are purely sadistic and shallow (envy, pure malice), lacking the depth complex antagonists require. She isn’t a well-written villain; she’s just a plot device to make the protagonist suffer.

### 4. Dio Brando (JoJo’s Bizarre Adventure)


I’m an unconditional fan of JoJo’s Bizarre Adventure, and Dio is perhaps the most charismatic and “memeable” villain in anime history—which is why I’m one of those fans who defends him. But the truth is, we fans love his pure villainy and exaggerated charisma. The problem is, especially in Part 1, he’s just that: pure evil. His motivation is superficial (power and tormenting the Joestars), and he lacks the complexity many top-tier villains have. He’s a *fun* and *iconic* villain, which is different from being *well-written* in terms of depth.

### 5. Light Yagami (Death Note)


Many defend Light as a complex anti-hero whose fall was tragic. Criticism, however, points to the speed of his corruption. He goes from a bored student with a warped sense of justice to a genocidal sociopath (willing to kill innocents like Naomi Misora or his own family) in record time. His “god complex” develops almost cartoonishly, and his genius often relies more on plot conveniences than infallible logic.

### 6. Suguru Geto (Jujutsu Kaisen)


Before the Shibuya Incident, Geto’s defense was based on his tragic past (shown in the “Hidden Inventory” arc) and his charisma as a cult leader. The flaw lies in the abruptness of his turn. The transition from “protecting the weak (non-sorcerers)” to “exterminating all non-sorcerers” happens abruptly after a single, albeit traumatic, event. For the scale of genocide he proposes, his motivation feels underdeveloped and reactive, lacking the philosophical depth the anime tries to attribute to him.

### 7. Zamasu (Dragon Ball Super)


Fans defend Zamasu for having a “comprehensible” motivation: the hypocrisy and violence of mortals. The problem is the execution. His plan is absurdly convoluted (stealing Goku’s body, traveling back in time, allying with himself), and his definition of “justice” is just petulance and racism on a cosmic scale. He isn’t a misunderstood philosopher; he’s a spoiled god whose solution to a complex problem is a childish and poorly planned genocide.

### 8. Gabi Braun (Attack on Titan)


Gabi is defended as a “mirror” of protagonist Eren, a child soldier product of intense indoctrination. Her *concept* is excellent. The execution, however, is criticized for being too rushed. Her actions (like Sasha’s death) are designed to inflame the audience, and her eventual change of heart about Paradis’ “devils” happens too quickly. For many, her “redemption” feels rushed and easy given the gravity of her actions and the depth of her initial hatred.

### 9. Yuno Gasai (Mirai Nikki – Future Diary)


The “Queen of Yandere.” Yuno is defended for being the ultimate icon of this archetype and for her final plot twist. However, she’s a terribly shallow character. 99% of her actions and personality boil down to one thing: “Yuki.” Her tragic past is used as a generic excuse to justify extreme and illogical violence. She isn’t a complex character; she’s a walking fetish that serves only to shock and revolve around the male protagonist.

### 10. The “Will of the Abyss” (Pandora Hearts)


Initially seen as a mysterious and malevolent entity, the Will of the Abyss and its connection to Alice and Jack Vessalius drives the plot. The defense stems from the mystery. The problem is that, in the end, the revelation of its motivations and the true nature of the villain (Jack) make its previous actions confusing and, at times, contradictory. What was meant to be a cosmic terror reduces to a poorly resolved interpersonal drama, weakening the main villain’s impact.

## The Difference Between “Complex” and “Poorly Written”

It is vital for critical analysis to distinguish between complex villains (like Meruem from Hunter x Hunter, who evolves) and villains who are simply popular. The **Anime Villains** listed above often fall into the second category, where popularity and design outweigh the internal logic of their narrative arcs, proving that not every popular character is, in fact, a good villain.

**Ever felt such intense anger towards a character that you almost dropped an anime?** Well, know that this initial aversion is often just the first act of one of the most powerful narratives in the otaku world. The magic of anime lies precisely in transforming despicable figures into unforgettable heroes, making you question your own judgments. Get ready to relive these journeys of redemption that prove: **hate and love are two sides of the same coin when the script is brilliant**.

## Zenitsu(*Demon Slayer*)


Zenitsu from *Demon Slayer* arrived to annoy. His hysterical screams and sick obsession with Nezuko made him the perfect target for disdain. But when the battle intensified, this “coward” revealed his true essence: an unstoppable warrior in a state of unconsciousness. His dedication to master Jigoro and the emotion over the loss of a comrade exposed a sensitive heart behind the hysteria. **What seemed like weakness was, in fact, the raw manifestation of fears he overcame with unwavering bravery**. Seeing Zenitsu fight demons while asleep? That was just the tip of the iceberg of his complexity.

## Bakugo(*My Hero Academia*)


Bakugo from *My Hero Academia* was simply unbearable. His bullying towards Deku and explosive rage made it impossible to sympathize with him. However, beneath that shell of aggression hid a sick envy of others’ heroism. The moment he recognizes Deku’s value as a hero is a turning point. **Bakugo not only learns to channel his fury to protect others but also embraces friendship with a surprising sincerity**. His transformation from antagonist to loyal ally proves that even the most temperamental can find redemption.

## Vegeta(*Dragon Ball*)


Vegeta from *Dragon Ball* started as a ruthless villain. His cruelty in massacring cities and challenging Goku placed him at the top of the list of hated characters. But Akira Toriyama, surprised by the Saiyan prince’s popularity, gave him depth. Vegeta evolves into a protective father, a devoted husband, and someone who carries the weight of his race’s sins. **His journey from tyrant to tragic hero, willing to sacrifice himself for his family, is one of the most moving in anime history**. The pride that blinded him became the force that made him human.

## Askeladd(*Vinland Saga*)


Askeladd from *Vinland Saga* seemed like a heartless mercenary. Murder, manipulation, and cynicism defined his initial actions, especially when killing Thorfinn’s father. However, his final revelation changes everything: a man fighting for a peaceful future for his homeland, using Thorfinn as a mirror for the horrors of violence. **His moral complexity and attempts to steer the young away from the path of vengeance elevate him from villain to tragic mentor**. Askeladd proves that not all monsters are born from evil; some are forged by impossible circumstances.

## Meruem(*Hunter x Hunter*)


Meruem from *Hunter x Hunter* emerged as an existential threat. His superhuman strength and disdain for human life made him the perfect antagonist. But his Gungi matches with Komugi, a blind girl, triggered something unexpected: empathy. Meruem goes from ruthless tyrant to someone who questions the meaning of humanity, developing a connection that humanizes even the most powerful of monsters. His story with Komugi is a lesson in how love can blossom in the most unlikely places.

## Itachi(*Naruto*)


Itachi from *Naruto* was the ruthless traitor. The Uchiha clan massacre and the torment inflicted on Sasuke made him a target of pure hatred. But the revelation of his true mission—to protect the village and his brother—rewrites everything. Itachi reveals himself as a martyr who carried the burden of hatred to save others, transforming into a symbol of sacrifice and loyalty. His moral complexity and fraternal love even in darkness make him one of anime’s most tragic and admirable characters.

## Thorfinn(*Vinland Saga*)


Thorfinn from *Vinland Saga* begins as a teenager blinded by vengeance. His obsession with killing Askeladd makes him unbearable, ignoring his father’s teachings of peace. However, after years of empty violence, he finds a new purpose in slavery. Thorfinn evolves from fierce warrior to apostle of non-violence, seeking a land beyond war—Vinland. His transformation is a powerful testament to how pain can be redirected to build, not destroy.

## Taichi(*Chihayafuru*)


Taichi from *Chihayafuru* initially seems like an opportunistic rival. His wealth and attempts to use Karuta to get close to Chihaya make him unlikable, especially next to the talented Arata. But his silent dedication and superhuman effort to master the game reveal an authentic passion. Taichi sheds the “spoiled rich kid” image to become a worthy competitor, accepting that unrequited love is part of his growth journey. His emotional evolution is as impactful as his Karuta technique.

**Ready to Rewatch These Series with New Eyes?** These journeys prove that initial hatred is just the prologue to lasting love. When revisiting these anime, you will discover details that went unnoticed – seeds of redemption planted from the very first episode. After all, the best characters aren’t born perfect; they become unforgettable through their flaws and triumphs. Let yourself be surprised again by the magic of anime in transforming monsters into heroes.

Know our Instagram? [Follow us there!](https://www.instagram.com/revistapixelofc)

The wait is over, and the biggest fan theory has been confirmed. The encounter that seemed impossible—mere fanfiction within the Adventure Time universe—is finally happening. Yes, Fionna Campbell will meet Finn Mertens in the second season of *Fionna & Cake*.

​This won’t be a simple multiversal “hello.” The reveal, coming from the official synopsis for the new season, places Ooo’s original hero at the center of grave danger, requiring an interdimensional rescue mission.

## ​The Official Synopsis: A Mission to Save Finn

​The first season of *Fionna & Cake* ended with the titular duo and Simon Petrikov finding a new balance in their worlds. Fionna accepted her “normal” life (now with a touch of magic), and Simon began to cope with his post-Ice King trauma. But the peace won’t last.

​The official synopsis for the second season, released during recent events like New York Comic Con, is clear. It states that Fionna and Cake will need to team up with Huntress Wizard for “a journey to save Ooo’s favorite hero.”

​There’s no doubt: “Ooo’s favorite hero” is Finn the Human.

​This means the encounter won’t be a simple cameo. The main plot of the second season will revolve around Finn’s rescue, forcing Fionna to dive back into the multiverse she struggled so hard to understand.

## ​Analysis: What Happened to Finn?

​The big question now is: what happened to the adult Finn we saw?

​In the first season, we caught glimpses of an older, weary Finn living a quiet life with his kids (Jake Jr.’s pups). He seemed to have stepped away from grand adventures, perhaps suffering from PTSD from a lifetime of battles.

​The Season 2 synopsis suggests this period of peace has been interrupted. Theories based on previews and the first season’s finale point to a few possibilities:

– ​**The Expedition with Simon:** Early in the series, Simon and Finn went on an expedition together, where Finn suffered a back injury. It’s possible this event has severe, delayed consequences.
– ​**The Return of Huntress Wizard:** The confirmation that Huntress Wizard (a character with a deep, complex connection to Finn at the end of *Adventure Time*) is central to the rescue mission is the biggest clue. The danger Finn faces might be linked to her or the spiritual/natural world she protects.
– ​**Multiversal Consequences:** The “canonization” of Fionna’s universe by Prismo may have destabilized other realities, and “prime” Finn might be paying the price.

## ​The Meaning of the Meeting: A Mirror of Heroes

​This meeting is more than fan service; it’s thematically powerful. Throughout the first season, Fionna struggled with the idea of being just a “version” of someone else. She wanted her own identity, her own magic, and her own destiny.

​Now, she will be forced to confront the “original.”

​Fionna and Finn’s encounter will be a fascinating mirror. On one side, Fionna, a reluctant hero who has just embraced the chaos of magic. On the other, Finn, Ooo’s greatest hero, who seems to have grown weary of it.

​They represent two sides of the same heroic coin, and their interaction, under the supervision of showrunner Adam Muto, promises to be one of the high points of the entire *Adventure Time* franchise.

## ​When Does Fionna & Cake Season 2 Premiere?

​The wait for Finn’s rescue won’t be long. The second season of *Fionna & Cake* is set to premiere on October 23, 2025.

​Like the first season, the new episodes will be released exclusively on the streaming platform Max. The official trailer, released recently, shows Fionna, Cake, and Simon in new and dangerous realities, confirming the darker tone and the scale of the threat Finn is facing.

​Get ready: the adventure continues, and this time, Finn Mertens’s fate is in the hands of his counterpart.

[Demon Slayer](https://revistapixel.com.br/tag/demon-slayer-pt/) is receiving all the spotlight right now with the release of its latest film, [Demon Slayer: Infinity Castle Part 1](https://revistapixel.com.br/critica-demon-slayer-castelo-infinito-um-sucesso-de-bilheteria-mas-e-um-bom-filme/) – Akaza’s Return. The franchise has shown the immense potential of anime films by breaking record after record. It’s no surprise that such success could usher in an era where several other anime receive canonical films as grand as this. Franchises like One Piece or Solo Leveling would definitely benefit from a film with the same quality as Infinity Castle. Here are 7 anime that deserve that chance.

## Chainsaw Man

Chainsaw Man is a relatively new anime, but it has already captivated many with just a short season. Recently, the franchise had its biggest theatrical release with Chainsaw Man: Reze Arc. The film has been a huge success in Japan, with fans praising its quality. Although it may be on the same quality level as Infinity Castle, a future canonical film could achieve even greater global success.

## Solo Leveling

[Solo Leveling](https://revistapixel.com.br/solo-leveling-por-que-esse-anime-se-tornou-o-maior-problema-para-o-genero-isekai/) is one of the most popular anime of the new generation. The series caught attention in 2024, but its popularity reached new heights this year after the epic finale of the 2nd season. One thing fans would love is a good movie. Currently, [Solo Leveling](https://revistapixel.com.br/tag/solo-leveling-pt/) technically has a film, Solo Leveling: Reawakening, but it’s only a recap of the first season. A true franchise film could be a huge hit, especially overseas.

## One Piece

[One Piece](https://revistapixel.com.br/tag/one-piece-pt/) is the biggest anime in the world and has already had its share of great films. Currently, its highest-grossing success is the most recent, One Piece: Film Red (2022), which became one of the highest-grossing films of all time in Japan. However, Film Red was not canonical. A canonical One Piece film, in the style of Infinity Castle, could be an even bigger success if it ever happens.

## Jujutsu Kaisen

[Jujutsu Kaisen](https://revistapixel.com.br/tag/jujutsu-kaisen-pt/) has become one of the most popular and best-selling series of all time, being the most anticipated anime of 2026. The franchise also has a great track record with films; its only canonical film (though a prequel), Jujutsu Kaisen 0, is the 11th highest-grossing Japanese film in history. Another canonical Jujutsu Kaisen film, covering a major manga battle, could easily break records.

## Naruto

[Naruto](https://revistapixel.com.br/tag/naruto-pt/) is one of the most beloved and recognized series in the world. Despite ending over a decade ago, it still holds an important place in the hearts of many fans. The most recent franchise film, Boruto: Naruto the Movie, is the most successful, but there is definitely untapped potential. A new film focused on the classic era or post-manga events would be more than welcome.

## My Hero Academia

My Hero Academia is a beloved series that is nearing its conclusion with the 8th and final season launching in a week. After the anime ends, there will be no more animated content to look forward to. This is where a movie would fit perfectly. My Hero Academia could explore the adult lives of the new Professional Heroes through a film, and it would be a huge success among fans, much bigger than My Hero Academia: You’re Next.

## Hunter x Hunter

Hunter x Hunter is an iconic shonen series but has suffered from slow manga adaptation. However, Yoshihiro Togashi’s work still has a dedicated fanbase who would love any new animated content. An HxH film could be grand, especially because a full anime adaptation of the manga’s most recent arc is not a viable option at the moment. A film focusing on one of the manga’s most anticipated battles would be a sure bet. All these anime, and many others, can be watched on Crunchyroll.

Over the years, countless myths have formed around [Dragon Ball](https://revistapixel.com.br/tag/dragon-ball-pt/). Rumors such as the creator [Akira Toriyama](https://revistapixel.com.br/tag/akira-toriyama-pt/) planning to end the series during the Cell Saga, or that Gohan’s role was diminished because Japanese fans didn’t like him, have been circulating in the community for decades, with or without any basis in truth. One of the most popular myths, however, is the belief that Akira Toriyama never did any planning when drawing Dragon Ball. The idea is that, unlike most mangakas who plan whole arcs in advance, Toriyama simply created the story week by week, without thinking much about what would come next. However, a quote from a 30-year-old interview completely debunks this theory.

## The Quote That Changes Everything: Toriyama and the “Excess” of Planning

Despite being responsible for one of the most iconic franchises in history, Akira Toriyama has always been very self-critical in interviews. He frequently downplayed his talent as a writer, claiming he created the story “on the fly.” However, in a guide for the Dragon Ball Z anime, Toriyama revealed something surprising: “For me, having drawn the manga on the fly, calling it a ‘story’ is just embarrassing… Ah, but to be frank, the second half of the story was difficult because I exaggerated a bit in thinking it out. Although I did a good job continuing like that… I think.” This quote is definitive proof. Not only did Akira Toriyama plan the future of his series, but he felt he “overdid” the planning precisely in the most popular parts of Dragon Ball. This, however, does not mean the series was written conventionally.

## The Perfect Balance: Planning vs. Spontaneity

Toriyama may have planned events and future plots, but not to the same extent as mangakas do today. Many of the most important and iconic decisions in the series arose suddenly and even practically. Adult Goku: He decided to age Goku to adulthood because he thought fight scenes were too difficult to draw with a small character, and he did this without waiting for his editors’ approval. The Super Saiyan: The iconic blond hair transformation of the Super Saiyan came on a whim. Toriyama wanted to make life easier for his assistant and told him not to waste time coloring Goku’s hair, leaving it white in the manga (which resulted in blond in the anime). He planned the macro, but some of the series’ most important developments happened without much prior thought, as detailed in several interviews compiled by fans and sources like Kanzenshuu, one of the largest archives of information about the franchise.

## Why There Will Never Be Another Dragon Ball

The truth is there will never be another manga like Dragon Ball, and part of that is due to the fact that artists no longer create stories like Akira Toriyama did. His process was a unique blend of careful planning and spontaneous genius. He had a map, but wasn’t afraid to take unexpected detours that ultimately led the series to become the global phenomenon we know and love. The myth that he didn’t plan anything may have been debunked, but the magic of his impulsive creativity remains undeniable.

A change long awaited by comic book fans has been confirmed by Absolute Batman writer Scott Snyder: the new version of Catwoman is Afro-Brazilian. The news, which has fans more than excited, was highlighted in a Twitter post by the fan account Discussin’ Film, showing Ivan Talavera’s cover art confirming Selina Kyle’s ethnicity in the Absolute Universe. Although Catwoman has been portrayed with various ethnic backgrounds in films and series, this is the first time an Afro-Brazilian version of the character takes center stage. Scott Snyder himself commented on the series’ success, stating that “having sales increasing this far into the series is overwhelming.”

## The Final Confrontation with Bane in ‘Absolute Batman #13’

Absolute Batman #13 will not only mark a turning point in the hero’s relationship with his world’s Catwoman, but also what appears to be his final showdown with Absolute Bane. In the previous issue, Bane destroyed Batman’s closest allies, mutilating figures like Harvey Dent, Oswald Cobblepot, and Edward Nygma, turning them into the villainous versions fans know well. The official synopsis for [DC Comics](https://revistapixel.com.br/tag/dc-pt/) the issue reads: “Batman’s final confrontation with the monstrous Bane! Will he be able to overcome this unstoppable giant, or will he be trapped in Arkham forever?!”

## What Makes the ‘Absolute’ Universe Different?

The Absolute Universe brought many changes to the status quo of [DC](https://revistapixel.com.br/dc-pt/)all reinforcing the brutality of this particular reality, influenced and reshaped in the image of Darkseid. Instead of being the billionaire heir to a vast family empire, this universe’s Bruce Wayne struggled every step of the way, building his incredible arsenal from pieces he managed to salvage or steal. Despite the hardships, he managed to face updated versions of classic villains like Victor Fries Jr. (Mr. Freeze) and Black Mask, even though the competition is often overwhelming.

## Evil Unites in ‘Absolute Evil #1’

The threat posed by villains in the Absolute Universe will only get worse. In October, tensions will reach a boiling point with the release of Absolute Evil #1, an epic one-shot written by Al Ewing with art by Giuseppe Camuncoli and Stefano Nesi. In this special issue, the main villains of the Absolute Universe will join forces for the first time, with Ra’s al Ghul, Veronica Cale, Hector Hammond, Elenore Thawne, and the Joker making appearances. DC Comics also noted that Absolute Evil #1 will feature “the introduction of not one, but two major Absolute characters who will change the course of the universe in its second year, making it a must-have for all fans of this publishing line!” Absolute Batman #13 will be available for sale on October 8 from DC Comics.